Every two years, the Whitney Biennial takes its signature pulse on the state of American art. Today, they released the highly anticipated list of artists participating. Most of the artists included have recently featured in our pages, so we’ve compiled our coverage below for those looking to bone up before the show opens March 14.
Read the full list of 71 artists over at ARTnews.
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Eddie Rodolfo Aparicio
The LA-based sculptor captures the materiality of disapperance and resistance. Maximilíano Durón profiled the artist this Spring. [READ HERE]
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Dora Budor
In a 2014 interview, Budor talked to A.i.A. about “’importing’ Hong Kong directors, horror movie prosthetics and post-Fordist editing techniques.” [READ HERE]
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Demian DinéYazhi’
A 2017 profile by manuel arturo abreu describes the artist as embodying survivance in works that combine punk aesthetics and Indigenous culture. [READ HERE]
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Torkwase Dyson
Nicole Miller writes about how Dyson often uses abstract forms to address legacies of trans-Atlantic slavery and the African diaspora. [READ HERE]
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JJJJJerome Ellis
Ellis’s work, centering the poetic effects of his own stutter, figures in Nicole Kaack’s essay on language in works by Black performance artists. [READ HERE]
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Jes Fan
In a conversation with scientist Deboleena Roy, Fan—a sculptor and bio artist—discusses the biochemistry of race and gender. [READ HERE]
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Nikita Gale
Gale features in Walker Downey’s essay on a new generation of politically potent sound artists, who are privelging content over form. [READ MORE]
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ektor garcia
Glenn Adamson profiles the nomadic sculptor, centering the communal import of his work. [READ HERE]
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Pippa Garner
Emily Watlington interviews the trailblazing trans artist, dubbing Garner “the kind of exhuberant person for whom ‘artist’ is the safest catchall term.” [READ HERE]
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Eamon Ore-Giron
When Ore-Giron was in the 2018 edition of Made in L.A., Leah Ollman described his abstraction as “referring, albeit obliquely, to colonialism’s erasure of Indigenous populations.” [READ MORE]
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Sharon Hayes
A review of her 2012 show at the Whitney provocatively titled “There’s so much I want to say to you.” [READ HERE]
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Holly Herndon and Mat Dryhurst
For our January 2020 issue on AI and art, Emily McDermott visited Herndon’s Berlin studio. [READ HERE]
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Madeleine Hunt-Ehrlich
Madeleine Hunt-Ehrlich is among the artists Yasmina Lee considers in her essay on the new wave of Afrosurrealist filmmakers. [READ MORE]
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Suzanne Jackson
The Savannah-based painter figured on the cover of our 2023 Icons issue, where she was profiled by Sarah Douglas. [READ HERE]
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Isaac Julien
Julien, who makes enchanting, thought-provoking films with historical subjects, wrote a piece about a muse of his for A.i.A.—the theorist Stuart Hall. [READ HERE]
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Lotus L. Kang
For our 2022 “New Talent“ issue, Emily Watlington profiled the Toronto-based artist—a photographer of sorts, but one who ditches the image. Kang created a limited edition print that came with each copy of that issue. [READ HERE]
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Mary Kelly
In our special issue on artistic research from March 2022, the art historian Kavior Moon considers Kelly’s work as a progenitor to the current trend. [READ HERE]
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Carolyn Lazard
For our October 2022 Disability Culture issue, Emily Watlington wrote about Lazard’s work in the context of the disability arts movement they helped spearhead. [READ HERE]
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Dionne Lee
In our “New Talent“ 2021 issue, Nkgopleng Moloi writes about how Lee combines darkroom photography with survivalist techniques. [READ HERE]
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Ligia Lewis
When Eric Sutphin reviewed the Eighth American Realness Festival in 2017, he consdiered the Dominican choreographer’s minor matter (2016) at length, callling it a standout work. [READ HERE]
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Cannupa Hanska Luger
The Indigenous artist-activist is best known for a series of interventions involving mirror-shields in Standing Rock. [READ HERE]
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Diane Severin Nguyen
Hiji Nam reviewed Nguyen’s recent solo show at SculptureCenter, New York, which attempted to translate and restage various revolutions. [READ HERE]
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B. Ingrid Olson
In 2018, Natalie Bell wrote a “New Talent” profile on the experimental photographer. [READ HERE]
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Shaung Li
For last year’s “New Talent” Issue, Alex Greenberger profiled the artist exploring the “wrinkles” of technology.
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Simon Liu
For our “New Talent” issue in 2022, Simon Wu penned an essay on opacity that featured Liu’s flims. [READ HERE]
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Mary Lovelace O’Neal
The veteran painter featured in a review of a provocative 2023 exhibition that asked: who gets to be abstract? [READ HERE]
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Ser Serpas
Alex Greenberger reviews her recent Swiss Institute show, calling her a “major talent.” [READ HERE]
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Rose B. Simpson
In a moving essay on Simpson’s “droughtcore” sculptures, Lou Cornum describes them as resembling “an Indigenous retelling of Mad Max.” [READ HERE]
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P. Staff
In an interview with Staff about their 2023 Kunsthalle Basel show, Alex Greenberger warns the artist’s films “may burn images into your retina.” [READ HERE]
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Clarissa Tossin
In this interview, the LA-basesd Brazilian artist discusses the colonialist mentality of private space exploration. [READ HERE]
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Tourmaline
Kiyan Williams—another artist in this biennial—profiles the artist, filmmaker, and activist working to bring underacknowledged histories to the fore. [READ HERE]
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Kiyan Williams
In a review of the recent MIT show “Symbionts: Art and the Biosphere,” Jenny Wu dubbs Williams’s contributions—mycelium sculptures—“conceptually developed.“ [READ HERE]
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Charisse Pearlina Weston
In a “New Talent” feature from 2022, Chris Murtha shows how Weston’s glass sculptures confront ideas about transparency and opacity. [READ HERE]
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Carmen Winant
Winant’s pictures of birth were a higlight of the MoMA’s 2018 “New Photography” exhibition. [READ HERE]
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Takako Yamaguchi
Ryan Holmberg considers the Japanese-American painter’s botanical abstractions and depcitions of nuclear devastation. [READ HERE]
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Constantina Zavitsanos
Emily Watlington profiles the disabled artist, who uses lasers and holograms to comment on debt and dependency. [READ HERE]