Forms of Labor: “Maternar” at the Museo Universitario Arte Contemporáneo
A sprawling show considers the ethics, economics, and entanglement of productive and reproductive work.
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Composite Bodies: Yeni Mao at Campeche
Leather, minerals, and chains meet big cats and powerful bodies in Yeni Mao's latest exhibition.
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One Work: Raúl Guerrero’s “Tomo VI: 16 de Septiembre con 5 de Febrero”
Recording a trip to Mexico City in the 1990s, Raúl Guerrero's paintings, framed as book covers, form an idiosyncratic but identifiable portrait of the locale.
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Insects and Angels
Lila de Magalhaes's embroideries imagine a world where creatures both earthly and otherworldly coexist.
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Yoshua Okon’s Work Proposes That We Burn It All Down—But Maybe Not All of It
In his quest to expose how messed-up our economic-political system is, Yoshua Okón depicts its effects on people who are merely cogs in the machine.
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Paul P.’s Ghostly Portraits Link Vintage Porn to Art Historical Tradition
Paul P.'s exhibition at Lulu was his first solo show in Mexico—and his first devoted primarily to portraiture in over a decade.
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In Mexico City, Feminist Action Takes the Form of Both Protest and Creative Community
Amid misogynistic violence, women artists and activists in Mexico City find comfort in mutual aid and creative collaboration.
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In ‘Sex Is Work,’ Julien Ceccaldi Depicts Dating-App Dramas Using Manga Aesthetics
Seven oil paintings on canvas and two painted sculptures comprise Julien Ceccaldi's exhibition titled "Sex Is Work"—and indeed the paintings suggest the emotional labor that accompanies the act.
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Jessie Makinson’s Fantastical Works Imagine a Posthuman Dreamworld
In a series of paintings, Jessie Makinson took Margaret Cavendish's 1666 novella The Blazing World as a point of departure, constructing her own otherworldly realm of genderfluid, interspecies…
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Valentina Liernur
For the past several years, Valentina Liernur's primary points of reference have been the global fashion industry and the local vernacular of her native Buenos Aires.
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Remembering Iris Apfel: Former Met Curator Harold Koda Talks Style Influence, Bartering and Originality
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